Abbracci Bed
A hug conveys love and friendship, encapsulating a thousand words with elegance and simplicity while sparking the serotonin of happiness and relaxation.
The Abbracci (hug in Italian) can be selected with soft fabrics or natural leathers.
The design language of this bed is a constant dialogue of gentle yet welcoming shapes and movements, that sublimate in the rising of the headrest, that smoothly encapsulates the bed main body.
Gallery
Technical Features
Structure
Base structure in brass plated aluminum bended round tube. Internal structure with metal supporting frame.
Cushions
Back cushions in high grammage wadding with internal rubber insert. Seat cushions in polyurethane rubber of different densities.
Covers
Covers are not removable.
Base
The sofa, armchair and ottoman are made of Italian aluminum, bent in-house at Ghidini1961. Polished manually, and lacquered with a transparent finish to guarantee a long lasting durability.
Finishes and Upholstery
Adamo & Eva
An exquisite quality of Italian-made cotton velvet that is soft, versatile and hard-wearing. A palette of 19 colours comprising striking, traditional and neutral shades. Sourced from Dedar (https://dedar.com)
116 - cayenne
119 - prugna
106 - mirtillo
168 - mousse
129 - roccia
107 - antracite
169 - cactus
104 - indigo
178 - ostrica
115 - safran
189 - verde inglese
145 - olive
137 - cenere
175 - fumo
170 - notte
138 - nero
Cord
100% cotton corduroy. Sourced from Jab (https://www.jab.de/)
053
070
064
050
091
020
037
060
033
038
099
Bogardine
Yarns of different types and thicknesses create a textural weave and confer a slight matelassé effect to the surface. Soft and consistent to the hand, hardwearing and ideal for heavy duty seating. Sourced from Dedar (https://dedar.com)
001 - quasinero
002 - taupe
003 - perla
004 - naturale
008 - ottanio
009 - bianco
Clay
Bringing together both natural beauty and a sense of finesse, this elegant yet casual fabric has a unique structured surface that adds and extra dimension to any interior design scheme. With a back cloth that gives extra stability, Clay is perfect for upholstering furniture. Sourced from Kvadrat (https://www.kvadrat.dk/)
0002
0005
0010
0009
Clunis
Wool bouclé creates an attractive and modern texture summed up in an elegant structured plain that plays on the refractive effects of the fibres it is made of. The result is one of the most up-to-date and sought-after designs of the moment.
002
006
026
000
029
030
025
Lizza
030
121
120
092
011
070
043
Safire
Safire’s coarse surface structure gives a subtle handwoven appearance that is both unique and dynamic, adding a special and unique dimension to this upholstery fabric. The thick boucle and chenille yarns contribute to its wooly handle and soft appeal but also gives a vibrant two-tone effect. Sourced from Kvadrat (https://www.kvadrat.dk/)
0003
0004
0010
008
Sinequanon
Panama weave with slightly shot yarns. A special, careful blend of linen and viscose and a new construction which enables a reduction of the textile weight whilst guaranteeing the aesthetic quality, usage and durability, and also offering good value. Sourced from Dedar (https://dedar.com)
01 - argento
02 - taupe
05 - stone
07 - perla
37 - caffè arabica
08 - linen
Twilltwenty
A classic twill. A particularly thick thread/yarn highlights the “Z” diagonal motif which makes the fabric more dynamic. The shiny and matt threads enhance the effect of the light on the surface. Sourced from Rubelli (http://www.rubelli.com/)
4 - cipria
20 - ruggine
7 - nero
9 - pesco
3 - corda
Bonsai
020
021
093
072
051
050
070
071
077
Diago
500
510
511
530
520
Sofi
Warp and weft create a grid of frisé linen and viscose cablé for a rich effect accompanied by a warm colouring.
187-101
187-000
187-100
187-029
187-090
187-062
Adamo & Eva
An exquisite quality of Italian-made cotton velvet that is soft, versatile and hard-wearing. A palette of 19 colours comprising striking, traditional and neutral shades. Sourced from Dedar (https://dedar.com)
116 - cayenne
119 - prugna
106 - mirtillo
168 - mousse
129 - roccia
107 - antracite
169 - cactus
104 - indigo
178 - ostrica
115 - safran
189 - verde inglese
145 - olive
137 - cenere
175 - fumo
170 - notte
138 - nero
Cord
100% cotton corduroy. Sourced from Jab (https://www.jab.de/)
053
070
064
050
091
020
037
060
033
038
099
Bogardine
Yarns of different types and thicknesses create a textural weave and confer a slight matelassé effect to the surface. Soft and consistent to the hand, hardwearing and ideal for heavy duty seating. Sourced from Dedar (https://dedar.com)
001 - quasinero
002 - taupe
003 - perla
004 - naturale
008 - ottanio
009 - bianco
Clay
Bringing together both natural beauty and a sense of finesse, this elegant yet casual fabric has a unique structured surface that adds and extra dimension to any interior design scheme. With a back cloth that gives extra stability, Clay is perfect for upholstering furniture. Sourced from Kvadrat (https://www.kvadrat.dk/)
0002
0005
0010
0009
Clunis
Wool bouclé creates an attractive and modern texture summed up in an elegant structured plain that plays on the refractive effects of the fibres it is made of. The result is one of the most up-to-date and sought-after designs of the moment.
002
006
026
000
029
030
025
Lizza
030
121
120
092
011
070
043
Safire
Safire’s coarse surface structure gives a subtle handwoven appearance that is both unique and dynamic, adding a special and unique dimension to this upholstery fabric. The thick boucle and chenille yarns contribute to its wooly handle and soft appeal but also gives a vibrant two-tone effect. Sourced from Kvadrat (https://www.kvadrat.dk/)
0003
0004
0010
008
Sinequanon
Panama weave with slightly shot yarns. A special, careful blend of linen and viscose and a new construction which enables a reduction of the textile weight whilst guaranteeing the aesthetic quality, usage and durability, and also offering good value. Sourced from Dedar (https://dedar.com)
01 - argento
02 - taupe
05 - stone
07 - perla
37 - caffè arabica
08 - linen
Twilltwenty
A classic twill. A particularly thick thread/yarn highlights the “Z” diagonal motif which makes the fabric more dynamic. The shiny and matt threads enhance the effect of the light on the surface. Sourced from Rubelli (http://www.rubelli.com/)
4 - cipria
20 - ruggine
7 - nero
9 - pesco
3 - corda
Bonsai
020
021
093
072
051
050
070
071
077
Diago
500
510
511
530
520
Sofi
Warp and weft create a grid of frisé linen and viscose cablé for a rich effect accompanied by a warm colouring.
187-101
187-000
187-100
187-029
187-090
187-062
Kairos Collection
Natural leather in Nabuck finishing
1719 - cangaroo
1716 - doeskin
1714 - lucky
1704 - chocolate forest
1701 - caqui
1711 - cenere
1721 - ematite
1715 - elefant
1710 - plomo
1718 - nude
1
5
6
7
20
Tivano
Tivano is a semi-aniline leather with a hand-buffed finishing and a stone-washed effect. Produced with cattle of European origin, it has a thickness of 1.2-1.4 mm. The size of each skin is about 5 sqm. Due to the technical characteristics of the finish it is not possible to grant high surface resistance to rubbing or light. Furthermore, the particular processing does not guarantee uniformity of colour between different batches. Sourced from Penelopeoggi (http://www.penelopeoggi.com)
3611 - corda
3606 - tobacco
3603 - militare
3612 - fumo
Aida Collection
Nappa leather with aniline finish
Daino
Coffee
Tan
Saddle
Blackberry
Spruce
Nocturne
Mud
Grey
Sand
Freddie Collection
2
3
6
8
Linea Collection
Natural leather with natural grain
629 - stone
647 - grigio perla
677 - malt
660 - asfalto
675 - new grey
612 - castagna
611 - testa moro
656 - cotto
610 - mogano
632 - verdone
622 - nero
619 - giallino
634 - gesso
674 - octane
Kairos Collection
Natural leather in Nabuck finishing
1719 - cangaroo
1716 - doeskin
1714 - lucky
1704 - chocolate forest
1701 - caqui
1711 - cenere
1721 - ematite
1715 - elefant
1710 - plomo
1718 - nude
1
5
6
7
20
Tivano
Tivano is a semi-aniline leather with a hand-buffed finishing and a stone-washed effect. Produced with cattle of European origin, it has a thickness of 1.2-1.4 mm. The size of each skin is about 5 sqm. Due to the technical characteristics of the finish it is not possible to grant high surface resistance to rubbing or light. Furthermore, the particular processing does not guarantee uniformity of colour between different batches. Sourced from Penelopeoggi (http://www.penelopeoggi.com)
3611 - corda
3606 - tobacco
3603 - militare
3612 - fumo
Aida Collection
Nappa leather with aniline finish
Daino
Coffee
Tan
Saddle
Blackberry
Spruce
Nocturne
Mud
Grey
Sand
Freddie Collection
2
3
6
8
Linea Collection
Natural leather with natural grain
629 - stone
647 - grigio perla
677 - malt
660 - asfalto
675 - new grey
612 - castagna
611 - testa moro
656 - cotto
610 - mogano
632 - verdone
622 - nero
619 - giallino
634 - gesso
674 - octane
Designed by
Lorenza Bozzoli
Born in Milan where she studied art at the Brera Academy.
Initially started as a freelance fashion designer, collaborating with Fiorucci, Basile, Plein Sud, Sergio Rossi and Camper, her interest then moved toward the world of product design, and she started articulating her work through a vast series of collaborations with big brands such as Alessi, Moooi, Dedon, Dilmos, Edition, Mingardo, Pomellato, Slamp, Slide, Tato Italia and Colè.
Complete the Room
Custom finishes available upon request, please contact us for more information.
